Tom Jones performs “Long Time Gone” with Crosby, Stills, Nash & Young – and Blows the Band & Public Away (1969)

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The Welsh Crooner Tom Jones made an improbable return at the end of the 80s, covering prince's “kiss” with noise art. Then in the mid -90s, he appeared on The fresh prince of Bel Air To sing the Hit in the mid -60s, “It's not inhunual” for Surface Carlton Banks. It was a return period of the 60s all around, but Jones' resurgence was a bit strange (although perfectly character for Carlton Banks). Tom Jones was a big star in the middle of the 1960s, with his own television program and a series of international successes. But Tom Jones was never exactly cool in the way, say, Neil Young was cool in 1969, the year of Jimi Hendrix and stole a truck to get to Woodstock.

“Tom Jones and his program could have been considered somewhat` `square ” according to CSNY's Rockstar standards,” writes Dangerous Minds “, but when the quartet agreed to transform itself in September of the same year, just a few weeks after the massive festival in the northern New York State and the breath of the audience and the television group.

“The powerful man's lungs inspire others to follow, it must be said”, even young, whose “face goes from one of the disdain /” What am I doing here? ” has ‘This fucking rocks“Midway.”

Even stranger than this combination is the fact that Young has agreed to do so. He had become notoriously opposed to television, even refusing The Tonight Show with Johnny Carson And quoting his hatred of television as reason to leave Buffalo Springfield two years earlier. Although he may have been taken in the moment, he regretted it later, while his longtime manager Eliot Roberts told the biographer Jimmy McDonough: “Neil went”, the Tom Jones show! What did you have? It's this shit. “He always said” this shit “. Crosby had this bad Dom grass … Neil never forgiven me.

“It was very well assessed,” said Roberts, “sold a Lotta Records, but retrospectively, it was embarrassing.” Young probably shouldn't have been concerned. Weed of Doom or not, it did not seem to harm his credibility as much as his New Wave Record (although critical of 1982, 1982, Trans. Jones did very well, reinventing himself in the 80s and 90s in auto-Parises of good humor, then becoming a pop star in good faith. He has not yet reappeared with Neil Young.

Note: an earlier version of this article appeared on our site in 2020.

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Josh Jones is a writer and musician based in Durham, NC. Follow him to @jdmagness

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