According to some estimates, the Frank Lloyd Wright's Taliesin West Home-Studio complex took shape in 1941. Republic of Arizona Currently noted that “it can be years before being considered finished”. The West Taliesin that you can see in the new Architectural digestion video above It is unlikely that it changes considerably in the coming generations, but it is also very different from what Wright and his apprentices initially designed and built during their first six years of life and work in the Arizona desert. A large part of this change has since come since Wright himself saw Taliesin West in 1959, the last year of his life, as Jennifer Gray explains of the Taliesin Institute.
Wright lovers can discuss the degree to which the extensions, modifications and renovations made by the master's disciples and others are in accordance with his vision. But in a sense, continuous growth and metamorphosis (as well as damage and regrowth, resulting from the occasional fire) is suitable for a work of architecture made to research and the feeling of its organic emergence of the natural landscape. We can say that Taliesin West even presents a kind of purity that we find in other more famous Wright buildings, created as without customers, and therefore without client requirements and deadlines – not to mention the advantage of the work of apprentices.
Like Wright Original Taliesin In Spring Green, Wisconsin, Taliesin West was a home, a studio and, above all, an educational institution. Wright and his students spent winters there every year from 1935, although it was a completely unlikely site at the start. The simple fact of getting there required a vehicle pilgrimage, a Great trip to the American road Before the letter – and indeed, Before the highway. While the Wrights remained in an inn, the apprentices camped on the spot, living a hardscrabble but very educational existence, devoted to the construction directly of the plans that their teacher could have established the day before. Even after the construction of Taliesin West, then connected to luxuries such as plumbing and electricity, community rigors of life, there was not for each student. However, he had his pleasures: it is not all architectural schools, after all, which has his own cabaret.
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Based in Seoul, Colin MArshall Written and broadcastTS on cities, language and culture. His projects include the substack newsletter Books on cities And the book The stateless city: a walk through Los Angeles from the 21st century. Follow it on the social network formerly known as Twitter in @ColinmArshall.

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